• Home
    • Exalt, Glaze
    • Force, Finch, Brown
    • Occur
    • Mushy
    • Refer
    • Hungarian: Elemi
    • Mauve, Bleak, Noise, State, Verge, Frond, Boxer, Title, Diary
    • Work in Progress: Dates in a Life Walking Project 2025
    • Dates in a Life Walking Project 2024
    • Dates in a Life Walking Project 2023
    • Dates in a Life Walking Project 2022
    • Dates in a Life Walking Project 2021
    • Dates in a Life Walking Project 2020
    • Dates in a Life Walking Project 2019
    • Dates in a Life Walking Project 2018
    • Dates in a Life Walking Project 2017
    • Dates in a Life Walking Project 2016
    • Dates in a Life Milk Project 2017
    • Vintage Table Linens Reimagined
    • Kidney Donation
    • Pandemic
    • Trying to Stay Safe from Germs
    • Loss
    • Healing from Loss
    • Resilient Fences
    • Fence Patterned Chuppahs
    • Technicolor Fence Patterns
    • Fractured Fence Repaired
    • The Fence As Lace
    • Walls from Fences
    • Traces of Past Fences Revisited
    • Holes in the Fences Revisited
    • Street Markings
    • Sewer Covers and the Sealed Crack Lines Around Them
    • Utility Covers
    • Autumn Photos and Fences
    • Fence Trade in Color
    • Street Ice on Fences
    • Bubbles and Cracks on Ice on Fences
    • Skating Marks on Ice on Fences
    • 12 x 12 x 12 2017
    • 12 x 12 x 12 2018
    • 12 x 12 x 12 2016
    • 12 x 12 x 12 2015
    • 12 x 12 x 12 2014
    • 12 x 12 x 12 2013
    • 12 x 12 x 12 2012
    • 12 x 12 x 12 2011
    • Tallis and Fence
    • Tiled Fence Photos
    • Landscape Through the Fence
    • The Ground Through the Fence
    • Moving Fences
    • Fences and Nests
    • Fence Holes Squared
    • Slivers of Fences
    • Fall Fence Landscape
    • Seasonal Fences - Winter
    • Seasonal Fences - Spring
    • Seasonal Fences - Summer
    • Seasonal Fences - Autumn
    • Electric Fences
    • Fence/Curtain 2.0
    • Fence/Curtain 2.1
    • Fence/Curtain 1.0
    • Weathered Fences #4 - #6
    • Fence Holes Bandage 2.0
  • Blog
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Jeanne Williamson Ostroff

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Contemporary abstractions that combine grids from orange construction fences on mixed media surfaces.

Contemporary abstractions that combine grids from orange construction fences and rich textured mixed media surfaces.


Jeanne Williamson Ostroff

  • Home
  • Wordle
    • Exalt, Glaze
    • Force, Finch, Brown
    • Occur
    • Mushy
    • Refer
    • Hungarian: Elemi
    • Mauve, Bleak, Noise, State, Verge, Frond, Boxer, Title, Diary
  • Dates
    • Work in Progress: Dates in a Life Walking Project 2025
    • Dates in a Life Walking Project 2024
    • Dates in a Life Walking Project 2023
    • Dates in a Life Walking Project 2022
    • Dates in a Life Walking Project 2021
    • Dates in a Life Walking Project 2020
    • Dates in a Life Walking Project 2019
    • Dates in a Life Walking Project 2018
    • Dates in a Life Walking Project 2017
    • Dates in a Life Walking Project 2016
    • Dates in a Life Milk Project 2017
  • Textiles
    • Vintage Table Linens Reimagined
    • Kidney Donation
    • Pandemic
    • Trying to Stay Safe from Germs
    • Loss
    • Healing from Loss
    • Resilient Fences
    • Fence Patterned Chuppahs
    • Technicolor Fence Patterns
    • Fractured Fence Repaired
    • The Fence As Lace
    • Walls from Fences
  • Board
    • Traces of Past Fences Revisited
    • Holes in the Fences Revisited
    • Street Markings
    • Sewer Covers and the Sealed Crack Lines Around Them
    • Utility Covers
    • Autumn Photos and Fences
    • Fence Trade in Color
    • Street Ice on Fences
    • Bubbles and Cracks on Ice on Fences
    • Skating Marks on Ice on Fences
    • 12 x 12 x 12 2017
    • 12 x 12 x 12 2018
    • 12 x 12 x 12 2016
    • 12 x 12 x 12 2015
    • 12 x 12 x 12 2014
    • 12 x 12 x 12 2013
    • 12 x 12 x 12 2012
    • 12 x 12 x 12 2011
    • Tallis and Fence
    • Tiled Fence Photos
    • Landscape Through the Fence
    • The Ground Through the Fence
    • Moving Fences
    • Fences and Nests
    • Fence Holes Squared
    • Slivers of Fences
    • Fall Fence Landscape
    • Seasonal Fences - Winter
    • Seasonal Fences - Spring
    • Seasonal Fences - Summer
    • Seasonal Fences - Autumn
  • Installations
    • Electric Fences
    • Fence/Curtain 2.0
    • Fence/Curtain 2.1
    • Fence/Curtain 1.0
    • Weathered Fences #4 - #6
    • Fence Holes Bandage 2.0
  • Blog
  • Info
    • About
    • Statement
    • CV
    • Press
    • Exhibitions
    • Museum Collections
    • Reviews
    • Own
    • Licensing
  • Contact
Marking 2103 Lives Lost: A Covid Visual Memorial

Pandemic

Marking 2103 Lives Lost: A Covid Visual Memorial

2103 people, who lost their lives due to the pandemic, are represented by each dot on this painting. The dots were made one at a time on a piece of fabric that has the monoprinted texture of a construction fence that was stitched following the warped grid.

Construction sites use construction fences as a barrier to keep people out of danger by blocking off the site. Unfortunately, these 2103 people succumbed due to a danger what we cannot see.

Covid Vaccine Prize

The dots in the center panel of this painting represent the day I got my second Covid Vaccine at my local Community Senior Center with 308 others. The white dots represent all my family members and friends who were waiting for theirs.

The white dots on the left and right-side panels represent the millions of others across the US who are waiting for their first shot, and the silver dots represent those waiting for their second shots.

Covid Vaccine: Unexpected Opportunity

In February 2021, I took my mother-in-law to get her first Covid vaccine. She was scheduled at the end of the day. When we were getting up to leave after her 15-minute waiting period afterward, a nurse ran up to me and asked if I had gotten mine yet. I replied no because I’m in the last group that would be phased in due to my age. The nurse explained that they had three more doses and they wanted to give me one of them, so it didn’t go to waste. Knowing that more than 1,200 wasted doses had already gone to waste across the state of Massachusetts, largely because there weren’t enough people around to get shots when health-care workers got to the bottom of opened vaccine bottles, I agreed to get it. But that was after a lot of texting back and forth with my husband and physician’s assistant neighbor because I felt guilty getting it ahead of friends and family who had medical needs and really needed to get it before me.

Hoping to Avoid a Second Wave is a series of two paintings.

The Covid-19 numbers in Massachusetts were low for much of the summer of 2020 but started inching up in August as people grew restless and wanted to socialize and travel in the warm weather. My family and I were being diligent by not taking risks unless we had to, but as I walked around my neighborhood and saw big parties, I was filled with a range of feelings about it. These paintings were trying to express visually what I was feeling inside.

Pandemic

Marking 2103 Lives Lost: A Covid Visual Memorial

2103 people, who lost their lives due to the pandemic, are represented by each dot on this painting. The dots were made one at a time on a piece of fabric that has the monoprinted texture of a construction fence that was stitched following the warped grid.

Construction sites use construction fences as a barrier to keep people out of danger by blocking off the site. Unfortunately, these 2103 people succumbed due to a danger what we cannot see.

Covid Vaccine Prize

The dots in the center panel of this painting represent the day I got my second Covid Vaccine at my local Community Senior Center with 308 others. The white dots represent all my family members and friends who were waiting for theirs.

The white dots on the left and right-side panels represent the millions of others across the US who are waiting for their first shot, and the silver dots represent those waiting for their second shots.

Covid Vaccine: Unexpected Opportunity

In February 2021, I took my mother-in-law to get her first Covid vaccine. She was scheduled at the end of the day. When we were getting up to leave after her 15-minute waiting period afterward, a nurse ran up to me and asked if I had gotten mine yet. I replied no because I’m in the last group that would be phased in due to my age. The nurse explained that they had three more doses and they wanted to give me one of them, so it didn’t go to waste. Knowing that more than 1,200 wasted doses had already gone to waste across the state of Massachusetts, largely because there weren’t enough people around to get shots when health-care workers got to the bottom of opened vaccine bottles, I agreed to get it. But that was after a lot of texting back and forth with my husband and physician’s assistant neighbor because I felt guilty getting it ahead of friends and family who had medical needs and really needed to get it before me.

Hoping to Avoid a Second Wave is a series of two paintings.

The Covid-19 numbers in Massachusetts were low for much of the summer of 2020 but started inching up in August as people grew restless and wanted to socialize and travel in the warm weather. My family and I were being diligent by not taking risks unless we had to, but as I walked around my neighborhood and saw big parties, I was filled with a range of feelings about it. These paintings were trying to express visually what I was feeling inside.

Marking 2103 Lives Lost: A Covid Visual Memorial

Marking 2103 Lives Lost: A Covid Visual Memorial

mixed media on stiffened fabric
11.25" x 12.5"
2020

Covid Vaccine Prize

Covid Vaccine Prize

mixed media on stiffened fabric
11.5" x 9.75"
2021
SOLD

Covid Vaccine: Unexpected Opportunity

Covid Vaccine: Unexpected Opportunity

mixed media on stiffened fabric
10.25" x 10.5"
2021
SOLD

Hoping to Avoid a Second Wave #2

Hoping to Avoid a Second Wave #2

mixed media on stiffened fabric
24.5” x 23.5”
SOLD

Hoping to Avoid a Second Wave #1

Hoping to Avoid a Second Wave #1

mixed media on stiffened fabric
12” x 9.5”

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Photo credits: Will Howcroft, Susan Metrican, Chris LeGare (video), Ellen Wineberg, Joshua Ostroff, and Jeanne Williamson Ostroff

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